SAGE Studio

Inspiration and Art-Making with Featured Artists from SAGE Gallery’s Exhibition, HOME MAKERS

By Weatherly Sawyer

In Austin’s vast up-and-coming art scene, SAGE Studio is one of our leading advocates when it comes to the all too often untapped talent of the diverse community of artists with disabilities. Cofounded by Lucy Gross and Katie Stahl in 2017 in a refurbished shipping container in Austin’s East side, the studio has now grown to represent more than ten Texan artists, in addition to exhibiting several international artists in their quarterly shows. The studio itself supports artists by being both a maker space and gallery space for the artists it represents.

I recently reached out to Katie and Lucy in regards to their most recent exhibition, HOME MAKERS, a show bearing the impact of home and its solitude, comfort, and complications, all of which is seen through a new lens in the midst of a pandemic. They filled me in on the fascinating details of SAGE Studio and allowed us to share some of the amazing work from featured HOME MAKERS artists Anthony Coleman and Mar Rodríguez on the concept animals site. We were also able to get in touch with artists Adam Lechani, Douglas Allen, and Larry Willoughby Jr., who spoke graciously about their history, their art, and their experiences with home.

WS: What is SAGE Studio?

Katie:  SAGE Studio is a studio and gallery space that provides artists with intellectual and developmental disabilities the materials, space, and support to produce, exhibit, and sell their artwork. Our mission is to increase the visibility of artists with disabilities within Austin’s arts community, and to help enable our artists to become meaningful contributors to the social, economic, and creative life of the community.

Lucy Gross and Katie Stahl, co-founders of SAGE Studio.

WS: How did SAGE Studio begin?

Katie: Lucy and I met in 2013. My background is in art education and I am a practicing artist, whereas Lucy is a social worker, and we both worked at Arc of the Arts, an art-based day habilitation program in Austin. We realized early on that we have a similar aesthetic and gravitate toward the same artists, and after we both left the Arc in 2015, we spent the next couple of years daydreaming about opening our own studio and gallery for artists with disabilities. We started SAGE Studio in 2017 at Lucy's dining room table. In the beginning, we just worked with one artist, Rick Fleming, whom we had met at Arc of the Arts. Once Rick had built a portfolio of work for exhibition and we started working with a second artist, we felt ready to find a space in the community that we could use as both a working studio and a gallery. In the spring of 2018, we found a refurbished shipping container in East Austin for rent on Craigslist that felt like the perfect size for what we were doing. Since we opened our doors in June 2018, we have continued to add artists to our roster, and earlier this year we moved into a new, slightly bigger space at Canopy.

WS: What does your gallery offer to artists?

Katie: We work with artists in two capacities. Our studio artists create their art in our studio, with materials provided for them and me and Lucy serving as facilitators. The goal for participating artists is to strengthen their artistic voice, build a cohesive portfolio of work for exhibition, and pursue a career as a professional, working artist to the furthest extent possible. We also represent artists in the gallery who create their work outside the studio. These gallery artists can live locally, or may live and work elsewhere in Texas. For these artists, we function like most other galleries, which is by design. We have quarterly in-house exhibitions, and we also look for outside exhibition opportunities for our artists. Most notably, in 2019 and 2020 we represented several of our artists at New York City’s Outsider Art Fair, the premiere art fair in the world for self-taught artists.

Untitled by Mar Rodríguez, a Madrid-Based Artist. Marker Pen on Paper, 16.5x 11.8" (42 x 30 cm)

WS: How do you find the artists your gallery represents and exhibits?

Katie: We find artists through a variety of avenues. Several of the artists that we work with we met at Arc of the Arts. We’ve found other artists through social media, or through other organizations that work with artists with disabilities. In addition to her work at SAGE, Lucy is also a teacher at AISD’s Go Project, a transitional program for special education students ages 18–22, and we have found artists that way. We also have an artist application on our website, so people can reach out to us!

WS: What has been your experience with SAGE artists?

Lucy: Getting to meet new artists and their families through SAGE has been my favorite part of the entire experience. Texas is a big state and the different perspectives and voices of the artists we represent are vastly different. Because of the nature of the artists we work with, or maybe the nature of art in general, the narrative or story of their lived experiences becomes part of the process of working with them.

Comfy Couch Clown by Philadelphia-Based Portrait Artist Anthony Coleman. Graphite Pencil and Colored Pencil on Paper, 11x14”

WS: What has been your favorite aspect of running a gallery for differently abled artists?

Lucy: Having the opportunity to introduce the Austin creative community and make connections between SAGE Studio artists and practicing artists has been really special. It's also been really exciting to connect with artists and staff from other progressive studios across the country. It's been incredibly valuable to learn from other studios.

WS: What are your hopes and plans for the future of SAGE Studio?

Katie: In terms of plans for the future, we have really enjoyed the experience of our first virtual show and we have another virtual show, Sam Eiler’s Puppet Party, planned for this fall. In February, we are hoping to finally launch Tandem—a collaborative group show that will feature eight pairings of artists with and without disabilities—which was supposed to open this April but was postponed due to COVID-19. In terms of hopes for the future, HOME MAKERS has given us our first opportunity to work with artists with IDD from outside of Texas. Though our focus will always be Texas-based artists with disabilities, we would love to continue to find ways to show the work of artists with IDD from all over the world and to collaborate with the many other wonderful progressive studios in the US and beyond.

Follow SAGE Studios on Instagram and view the virtual exhibition, HOME MAKERS, through October 31, 2020.

FEATURED ARTISTS

Adam Lechani

The Cat, Oil Paint on Paper , 8x6.5”

Adam Lechani is an artist who not only makes work as a form of self expression, but also as a form of outreach. Through sharing his work and his story, Adam aims to share this message on an international scale: your dreams and passions are yours for the taking, despite what others will tell you because of your differences. Once Adam began working with crayons and paper at age 4, he never stopped. He often uses his art to say what he is unable to express verbally. His work is inspired by his goals and aspirations, his moods, feelings, interests, and everything that impacts him, positive or negative.

When asked to define home, Adam said:

“Home means comfort, it means being yourself in all your forms. Home is about your own environment where you can truly be yourself without the need to think of who and what others think of you. It means freedom, it means being your authentic self.”

And I don’t think any of us could have said it better.

WS: How would you say being born and raised in Morocco has affected your art?

Adam:  My father is an artist as well, and so since I was born I was naturally immersed in the world of art and artists. My dad never pushed me to draw, I just started on my own, with my own style and my own tools, which is great because I did not have to follow someone's trail but make my own. I was brought up in an environment where if I am not able to articulate my feelings verbally, I can express my feelings, thoughts and dreams through my artwork.     

WS: You have paintings of two different cats in the HOME MAKERS exhibition. What subjects do you usually draw and paint?

Tiger Cat, Oil Paint on Paper, 11.8x 8”

Adam:  I love drawing animals and family/ friends portraits. I love animals, I am a big fan of Sharks, Dinosaurs and pets such as dogs and cats. When it comes to friends and family, if I meet new people who have made an impact on my life I would draw them. When it comes to family, I like to draw my current family, and also my future one because one my dreams is to marry and have children of my own.

WS: What do you want people to learn or think about while viewing your work?

Adam:  I want them to learn that although society’s norms have painted me as someone missing an ability, I am whole and I am an Artist, I have the ability to be myself and express myself through art. My artwork is honest, and is a sincere representation of how I see the world with my own eyes and my own heart.

WS: How do you know when a painting is finished?

Adam: When I sign my name :) 

To check out more of Adam’s work, follow @adam.lechani on instagram.

Douglas Allen

Time to Go Home, Marker, Colored Pencil, and Graphite on Paper, 12x8”

Douglas Bruce Allen is an artist and family man from Southern Virginia. Born into a Navy family he was frequently on the move, but this did not stop him from beginning his art practice at a young age. Today, Douglas is based out of Los Angeles, California where he pursues his studio practice and exhibits his work. His drawings often contain detailed from-memory renderings of semi-trucks. Douglas’ ideal career is to drive one of these trucks, and he fractures obstacles in the way of achieving this career by drawing the trucks and making them his own.

When asked about home, Douglas said:

“My casa! The place I live, [and] the place I throw my head down on my bed and go to sleep. It’s a safe place. Especially now that the coronavirus is going around.”

He’s definitely got the right idea.

WS: Why did you become interested in diesel trucks and the profession of truck driving?

Douglas: It was a profession I wanted to do but I had an accident and I couldn’t drive after that. So I started to draw trucks.

WS: You had mentioned that the trucks are from memory. Are the streets, houses, and landscapes of your work also from memory?

Douglas: Yes. When I would take the bus home that would help me get in mind what stuff looks like. When I pass by stores, houses, any kind of business it would show me how they look.

WS: Your drawing, Time to Go Home, uses a vibrant color palette with several tones of pink and peach. Why do you decide to use these bright, bold colors in your work?

Douglas: I like how bright the colors are. They make people look at the artwork more. It makes the pictures stand out. When people look at them, they like them. I use color pencils and pens.

WS: How has your art or your process changed during the pandemic?

Douglas: I don’t draw as much at home because I have house work to do here. I would draw six hours a day at the studio but here I have other things to do.

See more of Douglas Allen’s work on the Tierra Del Sol Gallery webpage and follow Tierra Del Sol on Instagram.

Larry Willoughby, Jr.

Stop Spreading on Covid 19, Colored Pencil and Marker on Paper, 9x12”

Lawrence Willoughby Jr. (a.k.a. Larry) is an artist from New York City whose art practice includes drawing, painting, collaging, and photography. Growing up in Lefrak City of Corona, Queens, Larry understood art-making from a young age. At age four, Larry created drawings beloved by his family and by age eight he had acquired an eye for painting.

When asked how he feels about home, Larry said:

“My home means to me stay calm and quiet. It also is a place you can listen to music or watch TV.”

Sounds like peace of mind to me.

Connect to Friends Social Distance, Newspaper and Acrylic Paint on Canvas Panel, 12x16”

WS: In your piece Connect to Friends Social Distance, newspaper clippings are featured prominently. For you, what was the importance of including newspapers?

Larry: The old newspapers and articles, I cut and tear the newspapers and glue it on the panels, used acrylic paint and markers to write. Newspapers have articles and comics and occupy my artwork.

WS: Many of your pieces include painted or drawn-in text. Where do your words come from?

Larry: It is in my brainstorm. I like to write the words in the sentence and prepare the statements. It is a challenge.

WS: What is the relationship between your words and the images you paint and draw beside them?

Larry: I like to draw the Covid-19 and the Brooklyn City bus. The text tells you the theme of a painting or drawing.

WS: During your career as an artist, how has your work reflected your surroundings and society? How has your work changed with the emergence of Covid-19?

Larry: My career as an artist, I have made paintings and drawings and collages and I love it. That's why as an artist I write a lot. It is my world in the paintings. It's what I call the world in my mind image. I copy the photos with paper and art magazines, anything. Since the virus I protect with a face mask of course to protect from Covid-19. Protecting from Coronavirus so no one gets sick. My corona is negative. Social distancing six feet apart, and protect the others. To stay inside the home. Go outside for a walk if you need fresh air to lose some weight if you get bored.

WS: What do you want people to learn or think about while viewing your work?

Larry: My work as a sensitive person over the past 40-something years, from 1974-present, some of my best friends are artists. I have been diagnosed with schizophrenia and autism, also with anxiety, depression, paranoia, and stress. I think that getting to know myself as talented is the most important thing. Making art helps me feel better about myself. Being an artist, my wellness, doing my artwork to stay calm, peaceful and quiet, my peace of mind.

Keep up with Larry Willoughby’s work on instagram by following @yai.arts .